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The best and most daring looks celebrities wore at the 2022 Cannes Film Festival

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なし The best and most daring looks celebrities wore at the 2022 Cannes Film Festival

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The best and most daring looks celebrities wore at the 2022 Cannes Film Festival



The Turkish-German actress wore a baby-blue YANINA Couture gown with wing-like sleeves that extended above her shoulders and a deep neckline. The latter had a mesh panel across it that was decorated with purple sequins, which were also featured at the bottom of her skirt.To get more news about 久草免费, you can visit our official website.

Alberta Ferretti designed her dress, which was sleeveless and had ruffled fabric from top to bottom. There was also intricate beading in floral patterns across the gown.

Longoria wore it with diamond rings, a thick black choker, and an updo hairstyle that had loose strands framing her face.Alexandre Vauthier designed her dress, which had a ruffled skirt that almost reached the floor. She paired the garment with pointed heels, a diamond necklace, and dark eye makeup.

Her sleeveless gown was designed by Prada, and it looked simple in the front.

But when the actress turned around, you could see a giant, half-bow wrapped at her waist that extended to the floor.Her Roberto Cavalli gown had a glamorous, mermaid-style skirt, which was floor-length and made from cream satin. Its bodice, on the other hand, was more like a harness.

It had metallic straps from her neck to her hips, and gold flowers decorating the entire top.Her white dress had an asymmetrical bodice with ruffles attached to its single strap, and a tiered skirt made from tulle.

The Bollywood actress also wore diamond earrings, red lipstick, and her hair in an updo.YANINA Couture designed the ensemble worn by the British singer. It included both a textured, cropped shawl with puffed sleeves and a multicolored dress.

The bodice of the gown was yellow and matched the shawl, while its waistline and bow were hot pink. Its skirt, on the other hand, was blue with two yellow stripes.
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